Marie José Burki

Photography, neon, text and video are the preferred media used by Marie José Burki. Using visual devices, her work focuses on creating constantly shifting relationships between static and moving images, which ceaselessly interrogate our perceptions of reality in a world saturated with images. Associated with close observation of the background of daily life, the confrontation of these media contributes to the realization of a ‘fixed’ temporality, and, by this very means, to an evocation of time as at once real and suspended, accurately reflecting its relationship to the world in which we live. The artist is drawn to images of waiting and idleness; the camera films languid bodies in the intimacy of a living room or a hotel room. Beyond an almost absent narrative, a description emerges which plays with pictorial and literary codes, questioning the relationship with the pose in the image, along with the concepts of duration, space and perception. The time filmed by Marie José Burki is not social time. Naked and stripped, the time which passes before our slowed gaze makes us reflect in a world saturated by the acceleration of time.
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Artists
- John Phillip Abbott
- Darren Almond
- Jean Bedez
- Alain Biltereyst
- Aline Bouvy
- Marie José Burki
- Seyni Awa Camara
- Saint Clair Cemin
- Stéphane Dafflon
- Robert Devriendt
- Leandro Erlich
- Lionel Estève
- The Estate of Michel Frère
- Mekhitar Garabedian
- Gilbert & George
- Stephan Goldrajch
- Olaf Holzapfel
- Chris Johanson
- Vera Lutter
- Fiona Mackay
- Joseph Marioni
- Xavier Mary
- Dean Monogenis
- Vik Muniz
- Tony Oursler
- Tessa Perutz
- Eric Poitevin
- Matthew Porter
- Pablo Reinoso
- Charles Sandison
- Alain Séchas
- Bruno Serralongue
- James Siena
- David Brian Smith
- Helmut Stallaerts
- Takis
- Achraf Touloub
- Mitja Tušek
- Leen Voet
- Dan Walsh
- Wang Du
- Thomas Zipp
- Gilberto Zorio
- Yves Zurstrassen