Born in 1974 in Brussels (BE)
Lives and Works in Brussels (BE)

From 2000 to 2013, Aline Bouvy has collaborated with John Gillis

EDUCATION

2009

• Cité Internationale des Arts, Paris, (F)

1999 – 2001

• Jan van Eyck Academie, Maastricht, (NL)

1995 – 1999

• Ecole de Recherche Graphique, Brussels (BE)

SOLO EXHIBITIONS

2020

• PUP - Die Kabarett Version, IKOB, Eupen (BE)
• Splendeur et Décadence des Sirènes, New Space, Space Collection, Liège (BE)

2019

• Residency at Kuenstlerhaus Bethanien, Berlin (DE)
• Nominated for the Robert Schuman Art Prize, Luxembourg (LU)

2018

• Bastinado, Aline Bouvy, Galerie Albert Baronian, Bruxelles, (BE)
• People With Vaginas, Nausbaum Reding, Luxembourg (LU)
• Maturity, Loggia, Munich (DE)
• Slender Thrills, A Temporary Monument For Brussel-Art in Public Space, curated by Artlead,Place Sainctelette, Brussels, (BE)
• NEIGHBOURG 7, Jan Colle Galerij, Gent, (BE)

2017

• The future of not working, curated by Louise Osieka, CIAP, Hasselt, (BE)
• Pale, Havoc, maison Grégoire-Observatoire Galerie, duoshow with Simon Davenport, curated by Emmanuel Lambion, Brussels, (BE)

2016

• Heavy Fuckry / I don’t need you to feed me , Ghent (BE)
• Who will wear my teeth as amulets ?, Motel , Brooklyn, NY (USA)
• Urine Mate, Albert Baronian, Brussels, (BE)

2015

• Sorry I slept with your dog, Exo Exo, Paris, (FR)
• I’m not interested in humans these days, Le Salon, Brussels, (BE)
• Man-­‐made objects, curated by Lieven Seghers & Frank Koolen, 120 minutes, Brussels, (BE)

2014

• Politics of Intimacy, Nosbaum Reding, Luxembourg, (LU)
• Forme et Langage de l’Empathie, Espace d’Arts Plastiques Madeleine Lambert, Vénissieux/Lyon, (FR)

2013

• It tastes like shit, it is shit, want a toothbrush, NICC, Brussels, (BE)

SELECTED GROUP EXHIBITIONS

2020

• Body Fluids, Group show curated by Gilles Neiens & Johannes Honeck, Saarländische Galerie – Europäisches Kunstforum, Berlin (DE)

2019

• Labour curated by Komplot, Constantin Meunier Museum, Brussels (BE)
• Views from the top by Aline Bouvy, Erwan Mahéo and Master students of La Cambre, Brussels city center (BE)
• Prix Robert Schuman, Villa Vauban, Luxembourg (LU)
• Open Studios, Kunstlerhaus Bethanien, Berlin (DE)
• Bad Romance, Gussglashalle, commissaire: +Dede, Berlin (DE)
• A closed mouth gathers no feet, Dash, commissaire: Joachim Coucke, Courtrai (BE)

2018

• Even if it’s Jazz or the Quiet Storm, NEST ruimte voor kunst, The Hague (NL)
• Late Dawn, Mélange, Cologne, (DE)
• Norma, Maison Pelgrims, Brussels (BE)
• Une Ile, Echo des Vagues, Ile d’yeux (FR)
• L’esprit souterrain, Domaine Pommery, curated By Hugo Vitrani, Reims (FR)
• Neighbours Vol.7: Scenography - curated by Manor Grunewald, Galerie Jan Colle, Gent (BE)
• Scar/Face, Galerie Ceysson-Bénétière, Paris, (FR)
• A Temporary Monument For Brussels, intervention dans l’espace public, Artlead, Bruxelles (BE)
• Collection Nr 8, Hotel L’amigo, curated by Interior & the Collectors, Brussels, (BE)
• Agua Del Dia, El quinto pisco, curated by Rodrigue Mouchez, Mexico DF, (MEX)

2017

• Soft Cell, Center, Berlin (DE)
• Unclear Clarity, ABC Klubhuis, Antwerp, (BE)
• How deep is your love?, Cooper Cole Gallery, curated by Jenine Marsh, Toronto, (CA) .
• Plant B, Parc de la Fonderie, curated by Toke Lykkeberg and Sonia Dermience, Brussels, (BE)
• Le règne de l’harmonie, Le quadrilatère, curated by Tiphanie Dragaut-Lupescu, Beauvais, (FR)
• A shooting star is not a Star, Roberta Pelan, Toronto, (CA)
• Hypokeimenon-En dessous du sang, Galerie Nadine Feront, curated by Nils-Alix Tabeling, Brussels, (BE)
• L’Ecart Absolu, Le Quadrilatère, curated by Tiphanie Dragaut-Lupescu, beauvais, (FR)
• Laurel, Greenpoint, curated by Tatiana Kronberg, Rosie Motley and Laurence Dujardyn, Brooklin, NY, (US)
• Form, Cannibalism, The stable, Waregem, (BE)

2016

• Les Sept Péchés Spectraux, Galerie Arnaud Deschin, Paris (FR)
• Transition, Galerie Alain Gutharc, Paris (FR)
• A Last Song For The Titanic Orchestra / In the frame of the inauguration of the Billboard Series #5, ArtLead invites Diesel Project Space, Seraing (BE)
• Blue Plate Special, curated by Stéphanie Hier et Larissa Lockshin, Dead Horse Bay, Brooklyn, NY (USA)
• A Thousand Friends, curated by Elisa Rigoulet et Antoine Donzeaud, New Jörg Gallery, Vienne, (AU)
• Festival Arts Numériques, Isi Lab, Montpellier, (FR)
• Grands Formats, Musée National d’Art et d’Histoire, Luxembourg, (LU)
• Retiens la nuit, curated by Hugo Vitrani, Galerie Rabouan Moussion, Paris, (FR)
• Highway Raven, Diesel Project Space, curated by X. Mary et N. Merca, Liège, (BE)

2015

• Friendly Faces, curated by Middlemarch, Johannes Vogt Gallery, New York, (US)
• How my mother got hacked, Aline Bouvy, Adam Cruces and Nicolas Pelzer, curated by Joachim Coucke, DASH, Kortrijk, (BE)
• I’MTen, IMT Gallery, London, (UK)
• To blow smoke in order to heal, curated by Aline Bouvy and Xavier Mary, Albert Baronian, Brussels, (BE)
• Break Out!, curated by Julian Elias Bronner and Benjamin Faust Weber, Frédéric de Goldschmidt Collection, Brussels, (BE)
• Trust (with The After Lucy Experiment) curated by Sonia Dermience, Copenhagen Art Frestival, Copenhagen, (DK)
• New Pabulum, duo show with Simon Davenport, curated by Juste Kostikovaite, Kunstraum, London (UK)

2014

• Andrew Birk, Aline Bouvy, Absalon Kirkeby, Christopher Crescent Gallery, Brussels, (BE)
• Natura Lapsa, curated by Yann Chevalier and Laurent Le Deunff, Le Confort Moderne, Poitiers, (FR)
• Paradise Lost, Damien & The Love Guru, Brussels, (BE)
• Trailers for the Future, Yoko Uhoda Gallery, Liège, (BE)
• My Legs Up And Exposed To The World My Bottom Under The Jean-Trousers, Nosbaum Reding Projects, (LU)
• Return to Sender, curated by KAOS - Kunstatelier Opperstraat, WIELS, Brussels, (BE)
• Vive l’Eté, Galerie Olivier Biltereyst, curated by D. Delepeleire, Brussels, (BE)
• Bien ou Bien, Mon Chéri, Brussels, (BE)
• Obliteration Devices, IMT Gallery, London, (UK)
• Are You Thinking About Atlantis?, Parallel, Oaxaca, (MEX)
• Material Art Fair, Komplot, Mexico DF, (MEX)
• Acid Rain, Island, Brussels, (BE)

• Le Morning, un journal de Sébastien Reuzé
• Thudding-Mouth, Cotton-Heart and Gold Nuggets, in Good Times and Noctural News #3
• Heresies, Her phallus, Her failure, Girls Like Us, issue#7
• Forme et Langage de l’Empathie, Espace arts plastiques Madeleine-Lambert, 2014